Because of that, I prefer a looser form of outlining that I like to call hybrid outlining. That way, I can easily edit it and change it if I want to, but I have some idea of where I am going. I was particularly fond of this method back in hgh school, because I did want to freestyle--I just wanted to control my freestyling a bit more. So while I wrote huge, complicated charts and outlines last week, this week's example is much smaller:
Chapter 4
|
Bob looks into, and then steals, Jill’s
car
|
There is way less detail. This means your going to start your
chapter mostly free (like we discussed the other week), but also
means you know what you are supposed to do. The specifics are up to you. I haven't created guidelines about why Bob steals the car, whether Jill sees Bob, where Jill is, and how many cars are in the parking lot. I'm free to let the scene unfold exactly as I see fit. That's pretty nice.
Of course, we run into some issues. Like freestyling, if I have a complicated plot I might forget to do something important. Like outlining, I still am in trouble if I decide to make a major plot change. But these are more easily controlled. If I want to make a major plot change, not much work is lost--and it doesn't cause a lot of work to make a new outline. To negate forgetting something, I can still add more information to my chart, but keep it tiny:
Chapter
|
Plot point
|
IMPORTANT!!
|
Chapter 4
|
Bob looks into, and then steals, Jill’s car
|
·
Three identical cars
·
Jill sorta sees Bob
|
BOOM. Now you know what you need to know, you've still got freedom, and it didn't take much time. Huzzah!
But now it comes to the writing--and things always start changing. Next week I'll discuss post-writing outlining, which is one of my favorite editing techniques.
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